Sadly, Wednesday 2nd October 2019 was our last night at the Thomas Tripp. 

Jon, who has run the pub for 21 years, has decided to move on and not renew his lease. Being owned by a private landlord, there is no guarantee that the premises will re-open as a pub.

The Tripp has been our home for the past nine and a half years and we all wish Jon the very best for the future.

Our final evening was special and emotional. MC Steve West (ME!) introduced the first act, a stalwart of the club since the beginning, Henry Campion. He sang the three songs he performed at the very first re-incarnation of the club in April 2010. James Taylor’s “Country Road”, Richard Thompson’s “Dimming of the Day” and “Mr Tambourine Man” by His Bobness. Following Henry were Mary & Tony Parry. They performed the standard “Careless Love” and “How’s the World Treating You” by Chet Atkins and Boudleux Bryant. 

Next up was the club’s professor, Jonathan Klein.  He started with George Harrison’s “Here Comes the Sun”, and then two of his own songs; “I Got It All” and “If There Were 25 Hours”. Jim Brown is the club’s most travelled hobo, having lived in New Zealand and Canada. He sang “Leaving London” by Tom Paxton, Dylan’s “Don’t Think Twice I’m Alright” and “Denim Blue” by New Zealander Mike Harding.

Then it was time for the final act of the first half. Lee MacKenzie and David Hoyland were known to us as two thirds of Kadia and have now find themselves as a duo “The Last Inklings”, performing their own songs inspired by myth, legend and literature.

The cello/mandolin combination makes for a haunting atmosphere on “The Telling of the Bees”, “The Winter Sun” and “The Alchemist”.

After the break and raffle, our favourite sailor Hannah Snellgrove sang three songs: “Piano Man” by Billy Joel, “If I Don’t See You Again” by Neil Diamond and her own “Brexit Song” which was well received by the audience. It was good to have Rachel Cheyne singing and playing her songs again. She played “Solent Mermaid” and “Sunrise Blues”.

Next was Nomad. Al (guitar/vocals) and Heather (fiddle/vocals) performed Sean McCarthy’s “The Hills of Connemara”, the traditional “Yarmouth Town” and “Prickle-Eye Bush”. The Inklings returned for a second set; “The Raven”, “The Legend of Lioness” and “The Impossible One”.

Steve West led everyone in “The Leaving of Lymington” before the Inklings finished the evening with a well-deserved encore; “Mind Your Own Beeswax!”

So, next month. We will be at the White Hart in Pennington, not half a mile from the Tripp!

We have special guest Ian W Brown which will be a fantastic start in our new venue.



Due to an electrical problem at the Thomas Tripp, there were no ceiling lights! However, the candles made for a lovely atmosphere which may be repeated for the future!

MC Jon Ellis got the evening underway on his mandolin with “Black, Brown and White” by Big Bill Broonzy, then switching to tin whistle for two waltzes, and then back to mandolin to perform “The Maginot Waltz” by Ralph McTell. Jon then introduced bluesman Trevor Bambridge to the audience. Living in Andover and working in Lyndhurst, Trevor played guitar and harmonica on “Walk In My Shadow” by Free, a country blues instrumental and a country blues standard, “Nine Pound Hammer”.

Following Trevor was the main support of the evening, Bruce Watson. Hailing from Melbourne, Australia, Bruce is a much travelled performer with many CD’s to his credit and songs covered by such notables as Eric Bogle. He opened with one of the best openers I’ve ever heard; “The Importance Of Being Bruce”! Next was “In The Time It Takes To Sing This Song”, about the destruction of the Amazon. “The Man and the Woman and the Edison Phonograph” told the story of Bruce’s great-grandfather’s recording the voice of the last woman known to speak the Tasmanian aboriginal language in 1903 and at the end of the song, his wife, Jill, played an excerpt of that recording. Quite a moment!

Then it was time for our special guests ‘Milton Hide‘. Jim & Josie Tipler come from just north of Eastbourne, Sussex. Jim (guitar/vocals) and Josie (cahon/clarinet/mini xylophone/vocals) performed Jim’s songs; “You’re Better Off Dead”, “Riding The Whale”, “We Say It All The Time”, “Little Bit Alike” and “All Gone South”.

After the break and raffle, ‘The Elderberries‘ started the second half with “Hard Times” by Stephen Foster, “Rememberin” by Steve West and “Erie Canal” written by Thomas S. Allen. Bruce returned to the stage for his second set. He sang “The Old Bush Dance”, “The Ballad of Tunnerminnerwait and Maulboyheener” about the hanging of two aboriginals for the killing of two white whalers, the first hanging in Melbourne, a song about holidaying in Queensland where it rains a lot, hence ‘Queensland Wet’, and “A Thousand Acts of Love”.

And finally, Milton Hide’s second set; “I’ll Dance For You For Tuppence”, “Spacetime”, “Found Drowned”, a song about our obsession with social media and an encore; “A Little Peace of Mind”.

A truly marvellous evening. Next time, 2nd October, is an “Open Floor” but in the meantime, at Milford Folk Club, on 12th September, we have a joint venture bringing you the wonderful Claude Bourbon.

Standing room only!

Our meeting on Wednesday 4th September is now fully subscribed and therefore, regrettably, there will be no floor spots available.

MC Jon Ellis is in charge and welcomes guests ‘Milton Hide’ and support from Australian Bruce Watson. Bluesman Trev from Andover and the Elderberries complete the line up.

Starts 8:00pm at the Thomas Tripp in Lymington.


MC Bob Long provided an evening of great blues players from the Lymington Delta. Tony, Mary & Joe from downtown Highcliffe were the first to be invited to the stage. They performed “Frenchman Street Blues” by Jon Cleary, the standard “Careless Love” and “Big Boss Man”, first recorded by Jimmy Reed but credited to Luther Dixon and Al Smith. Next up was blues veteran and founder of New Forest Acoustic Blues, Mike Shipman from that shanty town known as Sway. He played “Can’t Be Satisfied” by Muddy Waters,  Bob Dylan’s “Rocks and Gravel”, more recently recorded by Mance Lipscomb, Blind Blakes’s “Chump Man Blues”, and “Mean ‘Ol Frisco” by Arthur “Big Boy” Crudup.


Following Mike was Maurice Pearce, seasoned traveller, recently located in the outback in Australia. He sang “Deep River Blues” a song credited to Hilary James and Alton & Rabon Delmore and made famous by Doc Watson, “Basin Street Blues”, written by Spencer Williams in 1928 and recorded that year by Louis Armstrong, “I Ain’t Got Nothing But The Blues”, composed by Duke Ellington with lyrics by Don George, and he played Scott Joplin’s “The Entertainer”.

After the break and raffle, World Gone Wrong were the first act on stage. Hailing from the other side of the border, they sang “Your Baby Ain’t Sweet Like Mine” by Papa Charlie Jackson, Robert Johnson’s “Phonograph Blues”, “Sporting Life Blues” possibly Brownie McGhee, and Bob Dylan’s “Blind Willie McTell”.

The final act of the first half were The Bob Long Trio(BLT!) featuringSteve Manseron Mandolin. Based in a small commune next to the M27 outside of Southampton, they performed Big Bill Broonzy’s “Rocking Chair Blues”, Robert Johnson’s “They’re Red Hot”, “Weed Smoker’s Dream” by Joseph “Kansas Joe” McCoy, “Aunt Caroline Dye”, written by Will Shade, “St. Louis Blues”, credited to W. C. Handy, and “I Gotta Have It” written by Cy Coben and Marina Manners.

Then it was time for our special guest, Glen Wright. Of no fixed address, wherever he lays his hat is his home, he sang “Heart In Sorrow” by Brownie McGhee, “Black Cat Bone” by Jessie Mae Hemphill, “Just One Time” by Walter Davis, and Mance Lipscomb’s “Long Tall Girl Stuck On Me”. He then played a few of his own songs, mainly alternative versions of existing blues numbers; “Blue Moon Blues”, “B.B.’s Blues”, “Sugar Babe”, “Back Home Blues”, “Falling Down Blues”, “Trouble In Mind”, “Rolling Stone” and as an encore “Sun Goin’ Down” by Son House.

Next time, 7th August, “Open Floor”.


On such a moving and eventful day, particularly in my home town of Portsmouth, it was fitting to have songs from both sides of the Atlantic. Our MC for the evening was “Professor” Jonathan Klein. He started proceedings with two of his fine songs; “Running For Love” and “Young and Beautiful in Rome” and a stirring version of “Sultans of Swing” by Mark Knopfler.

Jonathan then introduced a Bob Long Trio as opposed to the Bob Long Trio (now to be known as BLT!) on this occasion consisting of the aforementioned ‘Mississippi’ Bob LongLorna Franklin and guesting on mandolin, Steve Manser. They performed; “You May Leave But This Will Bring You Back” recorded by the Memphis Jug Band, “Some Cold Rainy Day” by Bertha “Chippie” Hill, and the traditional “Knickerbocker Line”. 

Martin George was next up onto the stage. He sang Paul Simon’s “American Tune”, one of his own songs, “Mort’s Life”, and “The Night They Drove Old Dixie Down” by Robbie Robertson of The Band. Following Martin was Graham Wedge. Graham sang; “Little Sister”, written by Doc Pomus and Mort Shuman and originally released as the B side of “His Latest Flame” in 1961, “You Better Move On” by Arthur Alexander and Carole King/Gerry Goffin’s “Going Back”, famously recorded by The Byrds.

To end the first half, Jonathan invited Steve Moorhouse & Ariane Emery to the stage. They performed a traditional Irish song “Spanish Lady”, “The Dutchman” by Steve Goodman and “It Never Rains in Southern California” written by Albert Hammond and Mike Hazlewood.

After the break and raffle, JK kicked the second half off with Paul Simon’s “Slip, Sliding Away” before inviting Rachel Keeler to the stage. Acapella she sang “Jenny’s Song” by Florence and the Machine and featured in the TV series ‘Game of Thrones”, and “Medhel An Gwyns” (Soft is the Wind) written in Cornish and English by Mike O’Connor and featured in ‘Poldark’.

BLT returned to perform “Don’t Leave Me Here” by Henry Thomas and “You’ve Got To Give Me Some” accredited to Spencer Williams and Bessie Smith. Martin sang his own “Going To Barcelona” and an abridged version of Don McLean’s “American Pie”.

Jon Ellis arrived just in time to sing two WW1 themed songs; “The Maginot Waltz” by Ralph McTell and “The Wrong Bus” by Jez Lowe.

And finally, Steve & Ariane completed the evening with “Three Wooden Crosses” written by Kim Williams and Doug Johnson and a big hit for Randy Travis, and Ian Tyson’s “Four Strong Winds”.

Another brilliant evening. Next time, 3rd July, we’ll be having a Blues Night Special hosted by Bob Long and featuring Glen Wright.

May Day Magic 1st May 2019

MMC for the evening Jonathan Klein started proceedings with the classic “What A Wonderful World” written by Bob Thiele and George Weiss and first recorded by Louis Armstrong in 1967,and one of his own songs; “In the Beginning”. Next up was Jim Brown. Jim sang Elizabeth Cotten’s “Shake Sugaree”, “Dance Me To The End Of Love” by Leonard Cohen, John Prine’s “Speed Of The Sound Of Loneliness” and Dylan’s “Don’t Think Twice It’s Alright”.

Then it was time for our main support. ‘Sheboska’ are a Bournemouth based singer/songwriter duo whose music is infused with various elements including jazz. With one enigmatic vocal and a 7 String classical guitar they performed “Only Heartache”, “Grudge” and “Lament”. The final slot of the first half was reserved for our special guest Paul Garthwaite. Playing his 10 String guitar during this set, he sang “Moondance” by Van Morrison, his unique blues version of Peter Gabriel’s “Sledgehammer” mixed with Marc Bolan’s “Get It On”, an original entitled “Thorn From a Rose”, a Latin jazz version of Sting’s “Roxanne”, another mash up involving Debussey and Black Sabbath, “My Love is a Red, Red Rose”, a Scottish traditional song based on a poem by Robert Burns, and another original, a blues, “Even The Judge Was Crying”.

After the break and raffle, and in order to celebrate the auspicious date, HenryCampion sang the “Padstow May Morning Song” by the Rankin Family. Following Henry was George Benn. He sang two of his own compositions; “So Many Miles” and “Stonehenge Blues”. Next were ‘Westbound Train’. Steve & Carole sang “Red Sun” by Lindsey Buckingham and Christine McVie, “The Coldest Winds Do Blow” by Chris While and Julie Matthews and “I Courted A Sailor” by Kate Rusby.

Sheboska’ returned for their second set and sang “Lullaby, Lullaby”, “Island Born”, and “Other Colours”. After which, Paul returned to complete the evening. This time he had his 22 String guitar with him! He started with an original instrumental called “Ocean”, inspired by his many years at sea playing on cruise liners. He performed his version of “Norwegian Wood” and then mashed up George Gershwin and Led Zeppelin on “Stairway to Summertime”!

Two more originals followed; “Dreamscape” and “The Apocalypse Has Been Cancelled” and his variation of Mark Knopfler’s “So Far Away” and “Romeo and Juliet”. And then a first for LFAB. An Italian classic, “Tona a Surriento”. Paul’s final song was “Delilah” with much audience participation.

Wow! What an evening. Next time, 5thJune, Open Floor.


Our MC for the evening Jon Ellis invited Jonathan Klein to commence proceedings. The professor sang Dylan’s “All Along The Watchtower” and his own “Babylon”. George Benn followed Jonathan with two of his own songs; “Business As Usual” and “Life Goes On”.

Our third act was David Massengill. On his Appalachian dulcimer he performed three songs; the relatively new “Keller’s Last Stand”, “The Oval Room” by Blaze Foley and another new song, “The Gospel According To Blaze”.

Then it was time for our special guests of the evening to finish the first half. Chalk Horse Music hail from Sussex and on this occasion were a threesome; Liz (Auto Harp/Shruti), Darren (Guitar) and David (Guitar, Mandolin). They sang a combination of their own songs and their own version of traditional songs including; “The Unquiet Grave”, “Angel Band”, “The Devil and the Farmer”, and “Don’t Laugh”.

After the break and raffle, ‘Purbeck Storm’ blew onto the stage! They performed; “The Battle of Mudeford Quay”, “Colours”, “Pride of Man” and “In The Pines”. One our local treasures was up next, busker Victor Chetcuti. He sang; “Keep On Walking”, “Working For The Man”, and “Nice And Easy”, all from his new CD.

To finish the evening, Chalk Horse Music returned to the stage. They sang, among others; “Cuckoo”, “Tell The Bees”, “The Turtle Dove”, “Tell Me Who”, “Sunbeam”, “Quiet The Voices”, “Human Touch”, and “Can’t Find The Doorknob”.

Another wonderful night at Lymington Folk & Blues. Next time, 1stMay, Paul Garthwaite.


MC Steve West introduced the first act of what was to be a special evening, Henry Campion. He sang Dylan’s “It Ain’t Me Babe”, the standard “A Nightingale Sang in Berkeley Square” and Gordon Lightfoot’s “Early Morning Rain”. Following Henry was Jonathan Klein. He also sang a Dylan song, “Twist of Fate”, and two of his own; “Sweet Europa” and “Rhyming Dictionary”.

Next up was veteran of the local folk scene, Mike Cole. With his auto harp he sang the traditional “Handsome Molly”, “Will The Circle Be Unbroken?” written in 1907 as a hymn by Ada R. Habershon with music by Charles H. Gabriel, and the traditional “All The Good Times Have Passed And Gone”. The final performer of the first half was John Meriton. John lives in Martin, a small village near Salisbury. He sang three of his own songs; “Robur The Crooked”, “The Graves of Martin” and “Little Dylan”.

After the break and raffle, local songwriter George Benn stepped onto the stage. He sang three of his own compositions; “Down at The Doctors”, “Said and Done” and the yet to be titled “Gnome Song”.

Graham Wedge was our next performer. He sang “Louise” by Paul Siebel, John Prine’s “Angel of Montgomery” and “Until It’s Time For You To Go” by Buffy St Marie. Next up was Bill Hesp, regular MC of the Milford Folk Club and living legend of the Bournemouth folk scene. He sang the music hall standard “Old Bazaar In Cairo”, “The Quiet Joys of Brotherhood”, a poem written by Richard Farina set to a traditional Irish tune, and he recited a poem by Shel Silverstein; “The Perfect High”.

And finally, talking of living legends, it was time to welcome our very special guest, David Massengill. David sang a selection of mainly his songs; “Orphan Train”, “Mouse”, “My Name Joe”, “Moo!”, “Corn And The Cows”, “Jesus, The Fugitive Prince”, a song by Blaze Foley, “If Only I Could Fly”, Dave Van Ronk’s “Down In Washington Square”, and as an encore “The Great American Dream”. A super end to a super evening.

Next time, May 1st, our guest is Paul Garthwaite.



It was one of those nights……..

….you know what I mean; some nights at the LFB are OK, some are good, and then….just now and then….you get one like this.It all started with Jonathan Klein and his very individual take on Sam Cooke’s “Wonderful World”, followed by his own “River Runs Dry”.

George Benn took us all prospecting to Californi-yay (my spelling)  and then gave us his “Song for You”. Fresh from New York David Massengill invited us to join the Warthog Club by performing it’s hilarious “Internationale”. I would try to explain how this club was formed, but, frankly, you had to be there! This was followed by a lovely tribute to Lisi Russell, and finally a fabulous Blaze Foley song called, “Clay Pigeon”.

Rachel Cheyne doesn’t seem to perform often enough, so it was great to see her tonight, Chasing “Mr Time” and with “Feelings”. And so it came to our guest, Nigel Waite. He started with his own, “Shooting the Breeze”, but followed with a few covers, courtesy of Mary Chapin Carpenter, Bryn Phillips and Richard Shindell , as well as a couple more of his own.

After the break and the super-extravagant raffle the acclaimed Bimbling took to the stage. Hannah and Sean are always original and fresh, but it was a shame that there wasn’t time for their new song about Brexit.

I think I’d only seen Martin George once before. I’d forgotten how good he is. Wonderful interpretations of “Fire and Rain” and “Hard Headed Woman” (no mean feat). I have seen Brian Price a couple of times before. I had him marked down as a Beatles exponent (bloody good one, mind) but, tonight he played a couple from his own pen. “Monday Evening” was lovely and “Puberty Blues” was hilarious.

And so to Nigel’s second set. Rarely has an audience risen in such good voice to the invitation to join in. From Stan Rogers, thru Tim O’Brien to Pete Sinclair we raised the roof. Nigel finished what had been a wonderful evening with his own, “Once in a While”.

I guess once in a while you get a night like that.

Next time – March 6th – it will be an ‘open floor’  with David Massengill playing a guest spot….or two….so, hopefully, another one of those nights.



MC Jonathan Klein kicked off 2019 with Marc Cohn’s “Walking in Memphis” and one of his own, “Farewell Sweet Europa”. He then invited Henry Campion to the ‘stage’ and Henry performed “Fire and Rain” by James Taylor, Dylan’s “Forever Young” and Don McLean’s “American Pie”.

Next up was Rachel Cheyne. Rachel sang two of her own compositions; “La Vie a Belle” and “Solent Mermaid”.

Then it was time for our guest David Fisher’s first set. His latest CD and accompanying book “Busking Beyond Borders” describe his travels throughout Europe over a period of three years. He sang; “People Say”, “The Blacksmith (traditional), “Girl From The Mountain Town”, “Living The Dream”, “Leave Her Johnny Leave Her” (shanty), “Northwest Passage” (Stan Rogers), “Lifeboat” (Sam Walter), “Come Join Me On The Road” and “The Rose of Turaida”.

After the break and raffle, Jonathan sang a relatively new song, “Candlelight”, before Steve & Ariane were invited to perform. They sang “Love Hurts” written by Boudleux Bryant, “Hotel California” by the Eagles and John Prine’s “In Spite of Ourselves”. George Benn then sang three of his songs; “Down at the Doctors”, “Evensong” and “Modern Life”.

And finally, it was time for David’s second set, the evening having whizzed by! “Ye Jacobites” (traditional), “There’s No Reason To Be Sad”, “Dance To Your Daddy” (traditional), “Road Scholar”, “Generic Folk Song” and Mick Ryan’s “The Widow”.

An extremely enjoyable evening! Next time, 6th February, local singer/songwriter Nigel Waite.